Thursday, May 22, 2014

Real Fiction

A long-time reader, lsn, left a comment on my recent post, The Hour That the Ship Comes In that reminded me of a recent conversation on Tumblr. 

First, lsn’s comment:

OK... there's fan fic about reality TV?!?

Oh Lord.
I honestly had no idea... I kind of get the reasoning behind fanfic about fictional characters, but writing it about actual human beings who are not in fact fictional characters no matter how much the editing does kind of is a bit... well, icky to me.

Now the Tumblr conversation. The first commenter has extensive interests (and over 1,000 followers) including WWE (World Wrestling Entertainment, an admittedly scripted form of wrestling in which the wrestlers, while real athletes, play characters. Grandma D would have been a huge fan.) I’m not familiar with the second person, but she seems to be another wrestling fan.

Person A:….are wrestlers fictional characters?

Person B:i’d say yes, generally. though it’s a question i find very interesting.the distinction is easier to make with some wrestlers than others. the undertaker, bray wyatt, and other similar characters are obviously fictional. at the other…

Person A:It always trips me up. Like, calling an Actor their characters is kinda rude and just plain weird. But then if you call a wrestler their birth name, that’s disrespectful.It’s kinda like you read my mind and put my thoughts in a post. Lol.


My response, which I suspect neither of them noticed, was as follows:

I don’t think real-fictional is a binary; I think that there is a continuum from real to fiction and that we all position ourselves at different points along it depending on who we interact with. So an actor playing a role is further along the continuum toward fiction than the wrestler is, but even the actor is calling on some of his/her real self in playing the part. (Shoot, some actors play themselves over and over.) I was present at a reading that Attica Locke (fantastic author, BTW) gave and she began by saying, “I’m going to be real”, and I thought “no, you’re not”, not because I thought she was lying, but because simply using the phrase reflects an awareness that we present ourselves in different ways in different situations, so she had to pull up “real” from the pool of potential personas, and how real is that, when you think about it? 

We all have ways of presenting ourselves that involve some to a lot of artifice, and we all recognize that other people have ways of presenting themselves that involve some to a lot of artifice.

So let’s take that idea further in dealing with lsn’s point, the ickiness of writing about “actual human beings who are not fictional characters.”  Actual human beings have been known to Google their own names and can easily find said fanfic, and might be a bit nonplussed to discover that their significant others have been vanished down a rabbit hole, their sexual orientations have undergone wholesale revisions, or that they are now either pregnant or about to be fathers.

We present ourselves with various degrees of reality/unreality, but we also see other people the same way.  To me, being able to see other people as being as real as ourselves, as the stars of their own lives and not bit players in our own, is the biggest task of growing up. I think we have all had the experience of working or going to school with or living next to someone that we see purely as a PITA, and then one day get that one glimpse or one bit of information that makes their behavior make sense from their point of view. I remember one summer working with two other therapists in a social skills group for teens. One particular young lady was causing me a lot of frustration with her constant talking and inability to stay on topic. Finally one of the other therapists told me that the young lady had recently been diagnosed with anxiety disorder and placed on medication, and was only now starting to talk in social situations at all. Oh! So the training wheels had just come off the bike and she was naturally still a little wobbly. I could deal with that. After all,  that was my role in the group in the first place, teaching conversational rules.


Sometimes our only way of knowing particular people is through them being presented to us as entertainment. We see them on television in reality shows that are carefully contrived and we read about them in magazines that are designed to entertain. So what we get is fiction, not complete fiction, but somewhere along that continuum between fiction and reality. The distinction between the person I call Mikhail and Jane Austin's Mr. Darcy is blurrier than the distinction between Mr. Darcy and the young man in the next seat in English class, or the teacher presenting the lesson. It’s one small step from fanfiction about Mr. Darcy to fanfiction about Mikhail.

And unless teen girls have changed even more than I think between my days in high school and now, one more small step from fanfiction about Mikhail to fiction probably not published on the internet about the young man in the next seat in English class, or maybe even about the teacher presenting the lesson. A girl can dream after all.

A girl can dream, and then write about it.

Monday, May 19, 2014

Insulted

In my reading recently I came across this post, Patriarchy in Homeschool Culture by Samantha Fields, in which I found a quote from the book Beautiful Girlhood. Beautiful Girlhood was originally written by Mabel Hale and published in 1922, and has been more recently revised by Karen Andreola and republished.

The section that Samantha quoted went as follows:

One day a handsome young gentleman alighted from a train … As he paced the platform, he soon attracted the attention of a young girl. She watched him flirtatiously out of the corner of her eye, coughed a little, and laughed merrily and a bit loudly with a group of her acquaintances; but at first he paid no attention …
At last he noticed, turned, and came directly to her, while her foolish little heart was all in a flutter at her success …
“My dear girl, he said, tipping his hat, “have you a mother at home?”
“Why, yes,” the girl stammered.
“Then go to her and tell you to keep you with her until you learn how you ought to behave in a public place,” and saying this he turned and left her in confusion and shame. It was a hard rebuke; but this man had told her only what every pure-minded man and woman was thinking. Girls can hardly afford to call down upon themselves such severe criticism. (130-31)

This is where a wide reading of true mid-nineteenth century literature comes in handy for a girl. Let me tell you the rest of the story, without the flowery prose (okay, maybe a little flowery prose).

The young girl immediately got the attention of the conductor and pointed to the offender saying, “Excuse me, sir, but that person, while unacquainted with me, presumed to come up to me and address me with words that insulted both my mother and myself. I trust I can rely on your protection from any further advances on his part.”

I mean, seriously? Let's look at the sequence of events as presented, shorn of any editorial content designed to influence our views of who is at fault here. A young man alights from the train, sees a bevy of attractive young ladies, and begins to pace around the platform. Why is he pacing? Whether he is waiting for another train, or a cab, or his valet to come and get him, the wait won't be made any shorter by him walking up and down. He sees a group of acquaintances, including one particular young lady, and attracts her attention.  Is this the purpose of his pacing? It would seem so to an observer not inclined to blame the woman in any interaction between a woman and a man.

But then, what does the young lady do? She laughs merrily at something that one of her acquaintances says. Obviously she's a strumpet, or wait, here's another thought. Maybe the group has noticed the young man's efforts to get her attention and one of them has said something amusing about him. And now she's laughing at him! So he does what he can to preserve his pride: make it seem like she's the one trying to attract his attention, and insult her for it.

I mean, otherwise we'd have to believe that this paragon of male virtue presumed to approach and address a young lady without a proper introduction just to correct her manners. He’d be lucky not to be horsewhipped. Young Victorian ladies suffered from a lot of disadvantages, true, but a lack of ways to deal with insults from young popinjays was not one of them.


As the authors would have known if they had bothered to read good literature instead of writing the bad kind.

Saturday, May 17, 2014

Inspire

Going into the final on Dancing With the Stars, there are two Olympic athletes left among the four finalists, ice dancer Meryl Davis and Paralympic Team snowboarder Amy Purdy. Amy is a double amputee, having had to have both legs amputated below the knee due to a bacterial infection she acquired at age 19. Her accomplishments to date as an athlete, actress, and activist for people with disablities would be impressive for anyone, amputee or not.

Something that bothers me about people’s reactions to Amy, though,  is that I keep hearing variants of “If she can do it, anybody can,” for instance, in the way that guest judge Abby Lee Miller used Purdy as a model for her students:

Amy Purdy and Derek Hough performed a breathtaking, creative, precise Argentine tango using a bar stool as a prop. The judges struggled to put into words how impressed they were with both the execution and the effort. Miller said to her girls in the audience, “I better never hear ‘I’m too tired, I’m hungry, I have homework.” Judge Bruno Tonioli said it had power, control, precision, and immersion into the character. It also had a perfect score of 40.
Read more at http://www.commdiginews.com/entertainment/tv-cable-streaming-video/dance-mom-vs-maks-smackdown-on-dancing-with-the-stars-16891/#OHGuuYiWB6cmqsc4.99

No matter how well Purdy danced, people (including Purdy, who has been showing a good bit of stress in some of her video rehearsal packages) get hungry, they get tired, and if they are in school, they get homework. I don’t like it when people who don’t belong to a particular group pick a person who is an outlier in that group and then hold that person up as a model. First of all, it is unrealistic, and second of all, it detracts from that particular person’s accomplishments. Not every amputee can become an Olympic snowboarder, any more than every person can become an Olympian. And amputees who struggle more than Purdy does deserve empathy and help, not to have one person’s experience held up to them as the norm. What Amy Purdy has accomplished represents not only a great deal of work and determination, but also a great deal of talent, talent that did not disappear when her legs did. So while I admire her tremendously, and understand why people are inspired by her, I am not about to point her out as an example of how anybody can succeed by putting their mind to it. She is not just anybody. That’s the point of having competitions.

Then there is the whole problem of  using Amy as inspiration. The word in its many forms comes up over and over again in the judges comments on her dancing: you’re so inspiring. You are such an inspiration. I’m sure people are inspired by her, but I see a difference between “I’m inspired by you” and “You’re such an inspiration” in that to me, the latter objectifies Amy. It’s one thing to derive life lessons from watching how other people cope with hardship. But Amy Purdy is a unique person. She’s the star of her own life, not a bit player in someone else’s. To reduce her from the woman who has been honest about her fears and struggles as well as her pride in her performance to an object lesson for others is to reduce her to just that: an object. 

Of course, I am writing this as a person who is not an amputee and doesn’t have other orthopedic disabilities. Sure, I’m getting older and have Meniere’s disease and arthritis, but if you were going to draw a line between “able-bodied” (to use an older term) and not, I’d fall on the “able-bodied” side of the line. So it is quite possible that my take on this is far, far from what I would think if I were an amputee, or had Cerebral Palsy or MS or Parkinson’s Disease. Maybe if I did, I’d be happy to be an inspiration to somebody, although my hunch is, if it were me, my conduct would be far from inspiring. If anyone who does have experience with these conditions is reading this and has a completely different take on it, feel free to chime in in the comments. You won’t hurt my feelings, unless maybe you begin a comment with “Listen, you idiot.” (OTOH, I’ve heard worse.)

Until then, my take on it is going to be that Amy Purdy is an athlete who can do a lot of things the majority of us cannot do. I admire her, but I’m not going to run right out and take up snowboarding because of her example, and not just because I live where it doesn’t snow.

And when it comes to dancing? I’m sorry, but Meryl Davis can dance rings around her, and I don’t think it’s just because of the legs. So while I admire Amy Purdy, I am pulling (and voting) for Davis. Sometimes, despite drive and hard work and determination, it does come down to a matter of talent.

ETA, on June 14, 2014: I found out today, via a Facebook link from a friend, that Stella Young, a comedian and disability activist, doesn't like to be referred to as an inspiration, as her use of the term inspiration porn makes clear in this video. She makes the same point about objectification as I do, only a lot clearer and better.

Monday, April 28, 2014

The Hour That The Ship Comes In

So while we are on the subject of my recent and inappropriate enthusiasm for a certain reality show, I have more to say about the subject of its surrounding fanfiction. What I should be doing at the moment is straightening up the house, getting my car inspected, and making the animated computer version of Old MacDonald Had a Farm that I promised my grandson. Yes, I know there are many animated versions I can buy him, but I want to personalize it by inserting pictures of him into the animations. That’s a lot of painstaking work, however, and this is easier.

Before I launch into my comments on the subject at hand, however, I am going to give the cast of characters a whole new set of names, because I feel uncomfortable using the names of the real people whom I don’t even know to discuss the fictional representations of them out there in cyberspace. So we have Carl and Mavis, recent gold medal winners in the sport of ice dancing, and Tabitha, Carl’s long suffering love interest, who has until recently been shoved so far into the background that her clothing was starting to match the decor. More recently we have Mikhail, Mavis’ foreign born dance instructor, with his burly good looks and total lack of concept of personal space. Supposedly he has been nicknamed “sex on a stick”, but to me that sounds downright uncomfortable. Then we have Mikhail’s brother Vadim, and Carl’s dance instructor, Shirley, who may or may not make an appearance, depending on how far I get before the siren song of filing medical papers gets to me.

If we go back far enough, much of the fiction involves romantic relationships between Carl and Mavis, despite the fact that they have been pretty clear about their lack of interest in one another. The Problem of Tabitha is dealt with in several ways. The most popular one seems to be just disappearing her off the face of the earth. As far as I can figure, she was the victim of an accident involving the Large Hadron Collider, details of which are still highly classified. With no Tabitha around, dramatic tension must come from the tried and true trope of having both characters fall in love with each other, but be afraid to speak out because each thinks the other is not interested. In real life, this rarely happens, but in novels, it happens all the time. In my view, if two people are in love but can’t tell each other, it is just as well, because they really have no business breeding together. I find these plots the least interesting of all.

Then there are the ones where  we still have Carl and Mavis in love with each other, but Tabitha is Carl’s girlfriend. Yes, I know, you ask why he doesn’t break up with Tabitha and announce his love for Mavis if that is the case. Cake, snack, gone anyone? Or Tabitha is a lovely girl, and it would be a shame to hurt her (only in some of these stories, she and Carl get married, have a kid or two, and then get divorced, and wouldn’t it have been less hurtful to have dropped her like a hot rock before all that happened?) I wonder if the authors (who in many cases are good writers, in the technical sense) are aware of how much of a loser Mavis looks like in these stories. In real life, “Carl” has been with “Tabitha” for five years, more than enough time for Mavis to grieve a broken heart if she does have one, and then move on.

I wonder why none of our budding authors has come up with the obvious solution for the Tabitha problem - have Mikhail seduce her. He’s supposed to be good at that kind of thing. Then Mavis and Carl can bond over their mutual broken hearts. (No, I’m not writing it.)

There is also the little detail that Mavis had a boyfriend prior to and around the time of the Olympics. Then, around late February, even the briefest of references to him disappeared from her conversation and she and Mikhail are acting as though she is free as a bird. Maybe the BF, who does not have a name so lets call him Feliks, was the one who got disappeared in the Large Hadron Collider.

Or, there is the possible solution that I dreamed up for the first of my fanfic forays, the one in which Mikhail and Mavis get introduced online well before the Olympics, and he is the BF she refers to, until it becomes more politic to pretend that their first IRL meeting in the dance studio is their first meeting ever. It explains a lot: their immediate comfort level with each other, the boyfriend that was and then wasn’t, Mikhail’s proposal. Okay, it’s unlikely, but not as unlikely as two people who have known each other for a decade and a half falling in love but never bothering to mention it to each other, because plot.


And speaking of plots, I need to get back to Old MacDonald. That one, I understand.


(The title of this piece comes from this song, which has been stuck in my head for a while, but has nothing to do with the kind of ships that show up in fanfic.)

Fangirl

A few weeks ago, I turned the channel to ABC to watch Castle, and since I was a minute or two early, caught the very end of Dancing With the Stars. I had never before watched an episode of Dancing With the Stars, or of The Voice, America’s Got Talent, or American Idol. The reality TV shows I watch involve interior design, hoarders, or an occasional episode of Design Star when my husband happens to be watching. I did watch a whole season of The Bachelorette years ago with one of my AFS daughters, but couldn’t last through one episode of Survivor.

I did see enough of the Dancing With The Stars episode to find out that America’s favorite ice dancing couple, Meryl Davis and Charlie White were contestants, so I started looking for videos of their dances on YouTube, while using the first few Monday nights to follow the NCAA Women’s Basketball Championship, and of course the NCAA Men’s Basketball Final, or at least as much of it as I could stand before it became sadly evident that Kentucky was going down to UConn. 

That meant that it was not until two weeks ago, Disney night, that I actually sat through an entire episode of DWTS. However, I was up to speed on the prior weeks’ actions, gossip, scores, and innuendo through a network of fangirls posting on Tumblr, and the links they posted with regularity.

In addition to the actions, gossip, scores, and innuendo, I also found my way to a whole lot of fanfiction. I actually found my way to the fanfiction by googling “Meryl and Maks fanfiction”, much as it pains me to admit it. I mean, I am really too old for this stuff. I am especially too old to write the two examples of it that I did, and submitted to one of the fangirls I follow, who posts her own and others’ submissions on her blog. No, I won’t say where.

I can understand the allure of shipping for the young ladies whose Tumblr blogs I follow. Most of them are in their teens to twenties (hence, young enough to be my granddaughters), and for them, learning the nuances of personal interaction is a developmental task. That look that Maks gave Meryl? Is that the lingering gaze of love or just Maks being Maks? When Charlie smiles upon hearing praise for Meryl’s  chemistry with Maks, is that a real smile, or does it not make it all the way to his eyes? (Or is it Charlie thinking for the 35th time, “I wish they’d stop cutting to me every damn time Meryl dances”?) What does it mean if Meryl posts a picture of her and Charlie skating on Instagram? What does it mean if members of The Fam post “like” to pictures of Meryl and Charlie skating on Instagram?

I read these posts and think what they are really asking is “What does it mean when that guy in Chem class looks at me while the teacher is lecturing?” “Is that guy I friend zoned really just joking about us going to the prom together or is he hurt that I won’t date him?”
(Yes, I know that is not all that they are doing. The functions of fiction are too many and too complex to be summed up in one blog post, especially one of my blog posts, but this is the one that jumped out at me.)

And what does it mean that Coleslaw is pondering and writing about this stuff when she has ironing to finish and a house to clean before her brother shows up for his annual visit one week from today? (Thereby causing her to miss next week’s episode of DWTS, since we are taking him on an overnight to Natchez.)

I wrote once before about the strategies that people use both to conceal information that might be hurtful and to tease that exact information out of  the carefully phrased statements that other people make to hide it. There is an arms race going on between our need to fit harmoniously into a group and our need for information. The folk wisdom of “what you don’t know won’t hurt you” always clashes with “forewarned is forearmed”. So we study other people’s body posture, facial expressions, eye gaze, and gestures; parse their sentences for hidden meanings, and at the same time strive to keep our own faces neutral and our words tempered. As important as it is to do so in everyday interactions, or job interviews, or if, heaven forbid, ever dealing with the police, it is even more important to be able to do so in matters of the heart. There is a saying, “wearing one’s heart on one’s sleeve” for a reason, and that heart is not safe out there. 

So I would like to say that my reasons for obsessively looking for updates on the sites I am following are purely high minded, that I am exploring my fascination with the ways in which people communicate. I would like to say that, but who am I kidding? 


I don’t even know what my reasons are for following DWTS, except one. I’m a fangirl.

Friday, April 18, 2014

That's One Mystery Cleared Up

I’m feeling sad, queasy and perplexed. 

Last summer I came home from vacation to find a message from the Judicial Process Department of the sheriff’s office on my door. A long account can be found here, but the short version is that I was supposed to be served with a subpoena for a Dr. Coleslaw in a murder case, and after they had made three tries to deliver it, it was sent back to the originator per protocol. I’m not Dr. Anybody, I knew nothing about a murder, so the process server and I concluded it was all a mistake.

It occurred to me a few days later that while I honestly didn’t know anything specific about a murder, I had known someone who became a murder (and child abuse) victim, a child client of the place where I used to work. I wasn’t the child’s regular therapist, but a nagging voice in the back of my head reminded me that I may have done the child’s intake evaluation. I honestly couldn’t see how that would shed any light on the death itself, though, so I let it go.

Then the day before yesterday I heard the doorbell ring. And ring, and ring, and ring, because it was my husband ringing it, and he wanted to get back to cutting the grass before the light failed, and his leaning on the doorbell would of course make me able to exceed the speed of sound while getting to the door. I was not in a good mood when I flung it open, but cut off what I was about to say when my husband pointed to a gentleman next to him and said, “This man wants to talk to you,” before going back to the lawnmower.

I have finally trained hubby to protect me from sales calls, on the phone or in person, so I figured that wasn’t it. No, the gentleman, let’s call him Gabe*, was an investigator needing to talk to me about a murder case, specifically the case of the child I had been thinking about.

I can’t really go into any details because it involves confidential information. Let’s just say that Gabe works for the defense attorney, and his questions led me to suspect what defense strategy may be employed and why my assessment of the child’s language abilities may be pertinent to it.

Yuck.

I get that everyone is entitled to a defense in court. I wouldn’t want to live in a country where this was not true. I get that in a case where it is clear who committed the crime, the defense can only take the form of extenuating circumstances, and that may involve blaming the victim in some way. (That, or the “I didn’t know the gun was loaded” defense, which doesn’t work too well if you punched someone.)

But I still just want to cry, and then take a shower with steel wool, and then cry some more.

The mystery was intriguing and kind of fun.

The reality is, a child is dead.



*Gabe de Gator was the safety mascot of a company that my ex worked for years ago, so Gabe seems like a good name for an investigator. Hey, whimsey is a good coping mechanism right now.

Monday, April 14, 2014

You've Got a Friend

Saturday the St. Anonymous UMW went to Oak Alley for a tour and lunch. My good friend D was able to come with me. As I mentioned the one other time it was relevant to whatever story I was telling, D is African American, whereas I am of European (mostly Italian, with a little Yugoslavian thrown in) descent.

We had a good time touring the old mansion. The tour guide was very well-versed in the home’s history and had an infectious personality. (At the end of the tour, she told us she had quit teaching to take on the job, because she enjoyed talking to people who actually listen.) The original owner of the home had selected the property, which had belonged to his sister, for the alley of oak trees leading to the river. The house was oriented to the trees to take advantage of the breezes coming off the river. Mr. Roman had built the home in order to entice his wife, a city girl from New Orleans, to live out in the country, but she rarely stayed there because she had family members she needed to take care of back in New Orleans. It wasn’t until her husband’s death from tuberculosis that she moved to Oak Alley for good to run the plantation.

After the tour, we had a buffet lunch in one of the restaurants. Then we had more time available for walking around until our car pool driver needed to leave. D wanted to see the reconstructed slave quarters and exhibit, and I wanted to see the gift shop. We did a quick turn around the gift shop and went off the the cabins, which were quite close. 

The first cabin had a list of first names of all the slaves that had worked on the plantation, plus one unknown. One of the slaves had figured out a way to grow pecans with shells thin enough to crack easily, an innovation initially credited to his owner. There were displays showing the clothing slaves wore, restraints used to capture runaway slaves, and other aspects of slave life you wouldn’t pick up watching Gone With the Wind. 

As we left and got ready to look for our ride, D turned to me and said, “Aren’t you glad we didn’t live back then?” Well, yeah, I have often said I am glad I didn’t live back in the good old days. But for me, the worst that could happen was that I would have grown up an illiterate Italian peasant, a life that could have had its good side. For D, the difference two hundred years would have made would be huge. She may, with her ancestory, have been a free woman of color, but more likely she would have been a slave, working back breaking labor, having the chance of her children being sold away from her, maybe being beaten. So yeah, I’m sure she was glad that she didn’t live -

“Because then we couldn’t even have been friends,” D went on.

It took a minute for this to sink in, and then I stopped in my tracks and reached to give her a hug. In the process I managed to bump into her and snag her sweater on my engagment ring. My spontaneous gestures have their downside.

“What,” she started, as I said, “Of all the awful things that could have happened if you had lived back then, the first one that comes to your mind is that we couldn’t have been friends? That means so much to me.”

We said a few other mushy things and then went to find B to get our ride back to church.

I know I have said before how privileged I am. I was born with an extra helping of smarts, I was born in the US because my ancestors were brave enough to come here, I was born at the right time to get practically a free ride to college and graduate school, and graduated at the beginning of the second wave of feminism, which benefitted women of my generation tremendously. As I have frequently told my husband, my life has been like an automatic door: it opens up in front of me and closes behind me and I hardly have to worry about it.


Now I see I have one more piece of privilege that I have never considered. I have a friend.